I just went for a wander around the neighbourhood to see how things are going. People are out building stages, getting in beer supplies, putting up boards outside shops that aren’t opening and generally preparing for the onslaught.
I ended up on Talbot Road to take a look at how the building of the Gaz’s Rockin’ Blues stage is going. In this case I’m going to let a few pictures do the talking for me.
Hint - as with most of this site, if you click on a picture you’ll see an enlarged version of it.
Gaz’s stage being built
The theme of Gaz’s stage this year is Around the World in Eighty Days. Behind the centre piece you can make out the Globe, 103 Talbot Road, the last of the old style Notting Hill clubs and the place after which we named the Big Audio Dynamite song an album called - er - The Globe, it being right opposite my old studio in which we recorded much of it.
Immediately to the left you can see the Trojans sign. The Trojans is Gaz’s excellent ska band who will be playing both days of Carnival late in the afternoon to, I can confidently predict, rapturous crowds.
What used to be my studio where we recorded The Globe
Opposite The Globe is a narrow little road called Powis Mews. If you want to see the Trojans, or indeed Rotten Hill Gang (for we are playing at 3:30pm on Monday), but you don’t like crowds, I recommend you stand at the start of the mews because you can see the stage perfectly, but you’re out of the crowds.
On the right hand corner as you face the mews is the building that housed my studio. It was kind of like living in a bunker. Mick and I survived for months on a healthy diet of tea and kebabs from what used to be the Serene Fish Bar two doors further along washed down with a sort of instant cappuccino impersonation that Nestlé were producing at the time (just add water) that we christened the “sludguccinno”.
As you can see, the place that was my studio is boarded up for Carnival. The street outside gets jam packed and it’s likely that someone would go through the window just from crowd pressure.
Serge and his wife in their corner shop
On the left hand corner of the mews is a corner shop owned by Serge (sorry Serge, in all the time I’ve known you I never did ask how to spell your name!) and his wife (whose name I’ve name even asked!). Until a few months ago I hadn’t been in there in 13 years, but Serge greeted me by name as if I’d only been in yesterday.
For Carnival itself, they board up most of the shop, allowing a small serving hatch through part of the door. They take the whole thing in very good humour, all things considered.
As in many parts of the world, your local small shop can form a focal point for communities and walking back into Serge’s made me feel at home on Talbot Road again. He even asked about several friends that used to come round to the studio back then.
Serge also owns “My Beautiful Launderette a few doors further down the road. Serge is also the proud owner of a handsome beard and moustache.
The multi-trunked elephant is to be auctioned off after this Carnival
Turning round again to face the stage and looking towards the right, is the elephant on wheels that seems to fit perfectly with this year’s theme. Luckily it’s also fitted with several other years’ themes too. In fact it’s appeared for many years now, but this is to be its last Carnival and then it’s being sold (for charity I think).
More of the set being built
Panning further left again, here’s another part of the set being built.You can see the huge PA through which the DJs and bands will be playing then a boat (actually it’s only half a boat) over the backdrop of the sea and finally a few of the guys constructing part of what will form the barrier in front of the “backstage” area.
Is Natty Bo the coolest man in Notting Hill?
Here’s a closeup of the guy with the white beret in the picture above is the extremely cool Natty Bo, who also happens to be an extremely nice guy. Natty is singer with his ska band Top Cats, and also has another band, Ska Cubano, whose premise is that ska swept across every island in the Caribbean in the 60s apart from Cuba because of Castro’s rule. In a sense they have created a style of music that never was, but should have been.
it’s rather nice that Mr Bo is so cool that he even dresses up to help construct the set for Carnival.